brussels   midi       spoor   7
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. 22/04/19 - 29/04/19
. For You (the nail) - Thomas Geiger
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. An homage to the inconspicuous main actor of brussels midi spoor 7.
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. Text / Performance, 2019
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. 11/04/19 - 18/04/19
. To a Young Woman of Bright Future - Adrijana Gvozdenovic
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. On invitation to contribute to this project by 'filling up' two leftover spaces: one of the risograph printing plate and the other of the public waiting room, Adrijana Gvozdenovic started several processes to explore their potential as conditions for working and presenting. These thoughts will be shared on April 11th in public gathering and later on this website.
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. Chapter 1 / Exhibition Day 1                  Chapter 2 / Exhibition Day 2                 Chapter 3 / Exhibition Day 3                 Chapter 4 / Exhibition Day 4                 Chapter 5 / Exhibition Day 5                 Chapter 6 / Exhibition Day 6                Chapter 7 / Exhibition Day 7
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. 04/04/19 - 10/04/19
. Carnets d'errance (Gare du Midi) - Guillaume Clermont
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. Depuis quelques années, j’abandonne, ici et là, mes tableaux dans divers lieux publics. À chaque fois, je photographie le lieu de ces abandons. Plusieurs centaines de tableaux ont ainsi été abandonnés.     *
. ERRER, v. intr. XIIe siècle, issu du latin errare, « aller à l'aventure », d'où « faire fausse route, se tromper ». 
◇ 1. Aller au hasard, marcher à l'aventure, sans but précis. Les touristes, désœuvrés, errent dans la ville. Errer par la campagne. Errer parmi les bois. Expr. fig. Errer comme une âme en peine, être en proie à un ennui, une inquiétude, une solitude que l'on ne sait comment rompre. Par anal. Un bateau qui erre sur les flots. Les nuages erraient dans le ciel, au gré du vent. Son regard erra sur l'assistance. Fig. Laisser errer ses pensées, laisser aller son esprit sans établir de liaison entre ses idées. Laisser errer son imagination.
◇ 2. Class. S'écarter de la vérité, être dans l'erreur, se tromper. Il faut conclure, même au risque d'errer. Il erre dans ses conclusions, ses conclusions sont erronées, fautives. Redresser ceux qui errent. Selon Rousseau, la volonté générale ne saurait errer.
. ABANDONDISLOCATIONDONERRANCE.
. Avec l’inestimable soutien de la Guilde des Artistes.

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. 17/03/19 - 24/03/19
. Source - Lieve D’hondt
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. wachtzaal op spoor zeven in het station van Brussel Zuid, een transit zone, publieke ruimte, de tentoonstelling duurt zeven dagen, er is geen aanvraag tot tentoonstellen, witte baksteen muur, baksteen 38 x 18 cm, er is risico op beschadiging van het kunstwerk, het kunstwerk kan ontvreemd worden, er wordt een bordje geplaatst met info in verband met het kunstwerk, het kunstwerk bestaat uit woorden, de kleefletters worden op de muur bevestigd, op de opening is er papier en potlood om een frottage te maken, dit is een performance, op de muur zijn er restanten van voorgaande tentoonstellingen.
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. 09/03/19 - 14/03/19
. Messonission/ île du milieu - Yiannis Papadopoulos
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. There is a picture I've found online, from the film shooting of Theo Angelopoulos' film Voyage à Cythères, 1984;
. It stays in my memory and often I recall it when I am waiting on an outdoor train platform. It's the second man's boots or the mist, but for sure how the name of the town is written.      *
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. photo from the archive of Nikos Sekeris, Yiannis Foskolos

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. 27/02/19 - 06/03/19
. Events that happened before the shoe appeared - Aukje Koks
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. Through the glass of the window shop, daylight led lighting reflected in the varnish, which made me hungry.
. Approximately two years ago, I portrayed two plates with a few cabbage leafs on each one of them; a leaf on the left plate touched/reached the right plate. It's not so deep and it's not so dark.
. The food elevator descended my food to the guy with sauce on his chemise. Maybe I could have portrayed it again.
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. 31/01/19 - 07/02/19
. Portrait of a Dead Mouse in a Trap - pinxit Franky Dc
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. Icon painted from nature with egg tempera on old walnut wood prepared with rabbit skin glue and 'Champagne' chalk. The used pigments are: (1) a sample of ashes from one single burned tree leaf of a poplar growing in the centre of Brussels next to the former Parking 58; (2) reddish dirt from a Corsican potato bought on the Midi market in Brussels; (3) fragments of white blackboard chalk.
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. Portrait of a Dead Mouse in a Trap will be on display on Thursday 31 January 2019 during 45 minutes (between 7:45pm and 8:30pm).
. (Only pencil traces of the circumference will remain visible during the following week.)

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. 17/01/19 - 24/01/19
. Various Artists: clockWork
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. clockWork (2019) is a collaborative work by Martaque & Hélène Thensiau, two members of the Brussels based Various Artists collective.
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. This abstract piece incorporates coded human generated data (Human Mathematics) mimicking the information boards of the train station.
. The unreadable data sheet is frozen in time through 'salination' or the crystallisation of salt, as a petrified object.

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